Decisions were based on usage statistics and, I am sure, a few other things. They had to make decisions on what to add to the new version and what to leave behind. They do not have remove they have not just add it to the new version. Thus, it would be a drain on the resources of the EA for the port team which in the new version. Brainstorm was not compatible with the new architecture. The main problem is that AE is undergoing a major overhaul of its code base. It is not that it is a drain on the interface or performance (although people would accidentally click this button because it was right next to the graphic editor button). Serious problems with this version of the AE. Myself and many of my colleagues use this feature all the time! If this can help somebody who got the same problems as I did, then I'm glad.Why on earth did you manage to get rid of brainstorming in 2015 AE? Hopefully this workflow makes sense and I am not doing anything wrong, but it seems to work for me. In this track I insert a LUT Image effect which I set to change my video levels to full range levels.ģ - Over this LUT track I layer and adjust all my effect video tracks: Avid Color Correction, Neat Noise removal, Magic Bullet Looks and then Titles.Ĥ - I then go through my timeline manually, looking at specific frames, making sure everything looks good.ħ - I play through the whole thing in full screen for a final check.ġ - I make sure my color range option is at 0-255 and then compress.ġ - I play through the compressed H.264 file and make sure everything is fineĢ - I watch it again once it's re-compressed by the website and normally all my colors and grading are good an in full range. The workflow I pinned down for my third party effects in REC 709 Full Range is:ġ - I make sure that under "Video / Adjust video color settings / How do you make color adjustments?", I select "With The NVIDIA settings / Advanced / Dynamic Range: Full (0-255)" for both of my displays.ġ - I set monitor display color ranges to "Project" and my full screen display color range ro REC 709 Full Range.Ģ - I create a video track just up my main footage. So just to give a final (hopefully) update on this. so i have to say that i agree with avid on color handling.ītw, you got a goodie waiting for you in skype. The intended use of avid is non-hobbyist setups with an external monitor. currently you have to set "moncon off" in the console. In full screen playback in avid you get RGB, you can do your gradings there. demands you feed it rgb so it can shift levels to 709 again during encode. by not shifting levels up & down needlessly you get an edge in quality. all video cameras work in that color space. It's not that absurd, avid is a video application working in video levels. So to my knowledge you can't edit in RGB in avid. RGB 709 means that you get full chroma sampling (4:4:4). There must be way out of this feature / caveat.Įven if I select RGB 709 when I create my new project, that I AMA link to Full Range footage and that I select 10-Bit as my timeline display? (The Green / Yellow button at the bottom). Is there something I's missing here? Is this a setting I can only get correctly when I create the project and after that I'm pretty much stuck with it? Or is it a normal workflow to have incorrect color rendition in effects editors for every project I work on that is not a legal levels one? I thought that by setting an existing project's color space to RGB 709 it'd do the trick, but when I do that, if I set back my individual monitor's Display Color Space to "Project", I'll still have the misleading washed out 16-235 version of my footage that continues to plague me in effect edition. What I would like to do is to set my whole displayed project color space as Rec 709 so I don't have to set it manually in both my monitors and full screen playback. Once in Magic Bullet Looks or Neat (for example), I get the good ol' washed out legat Rec 709 display, which is really a pain when it comes to color grading, as I always have to get out of the editor to see exactly what I have and if my grading is correct. The only exception to this magic is when I go into effect editor mode. I choose Display Color Space -> Rec 709 and just like magic, I can finally see my correct RGB levels that I want to use all the way from filming in my AF100 camera to export and distribution, always on the web (for now). In media composer 8.3 there is a new feature that allow me to finally display colors properly in my monitors.
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